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Cool Animated Wallpapers Biography
Born in New Haven, Connecticut of Russian Jewish heritage, Capp was the eldest child of Otto Philip and Matilda (Davidson) Caplin. Capp's parents were both natives of Latvia whose families had migrated to New Haven in the 1880s. "My mother and father had been brought to this country from Russia when they were infants," wrote Capp in 1978. "Their fathers had found that the great promise of America was true—it was no crime to be a Jew." The Caplins were dirt poor, and Capp later recalled stories of his mother going out in the night to sift through ash barrels for reusable bits of coal.Even though animation was conceived as early as 1824 by Peter Roget, the very first actual methods of animation were made possible by a device called a zoetrope. The zoetrope was a spinning cylinder with open slits that would allow viewing of certain still images in a certain sequence. Someone viewing a zoetrope at a particular angle could see images that appeared to be moving.After Edison and the invention of motion pictures in 1889, film director Emile Cohl combined more than 700 still drawings, which were then each meticulously photographed individually. When Cohl combined all of the shots together, the drawings appeared to be moving on the film, ntasmagorie,” which was released in 1908. Other animated films soon followed like “Gertie the Dinosaur” and “Felix the Cat,” both released around 1920.First, a storyboard is created showing a quick sketch of the general idea and direction of the cartoon or animated feature. Next, the dialog is recorded before the actual animators create the final inked cartoons on pieces of clear celluloid acetate, or cels. After inking, animators paint in the color on the opposite side of the cel and finally combine all the cels to be photographed, using a special film motion picture camera. Cel animation allows animators to repeat certain frames, eliminating the need to draw each individual frame over and over in a sequence of animation. Backgrounds and fixed objects may be included in every background cel while other cels are removed and replaced over and over to simulate movement by animated characters.For example, if there are two characters in a scene and only one character is moving in this scene, an animator would draw character A on a clear piece of film called a cel. Then, using another second cel, the animator will draw character B. As character A is jumping up and down in a sequence of moves, a new cel is created for each movement. These cels are then combined and shot on a special film camera in a logical sequence that makes character A look like he’s jumping up and down, while character B remains unmoving.Animation is a series of still drawings that, when viewed in rapid succession, gives the impression of a moving picture. The word animation derives from the Latin words anima meaning life, and animare meaning to breathe life into. Throughout history, people have employed various techniques to give the impression of moving pictures. Cave drawings depicted animals with their legs overlapping so that they appeared to be running. The properties of animation can be seen in Asian puppet shows, Greek bas-relief, Egyptian funeral paintings, medieval stained glass, and modern comic strips. In 1640, a Jesuit monk named Althanasius Kircher invented a "magic lantern" that projected enlarged drawings on a wall. A fellow Jesuit, Gaspar Schott, developed this idea further by creating a straight strip of pictures, a sort of early filmstrip, that could be pulled across the lantern's lens. Schott further modified the lantern until it became a revolving disk. A century later, in 1736, a Dutch scientist named Pieter Van Musschenbroek created a series of drawings of windmill vanes that, when projected in rapid succession, gave the illusion of the windmill circling around and around. The magic lantern became a popular form of entertainment. Traveling entertainers, visiting the villages and towns of Europe, included it in their shows. In London, the Swiss-born physician and scholar Peter Mark Roget, most famous for compiling the Thesaurus of English Words and Phrases, was fascinated by the scientific phenomenon at play and wrote an essay entitled "Persistence of Vision with Regard to Moving Objects" that was widely read and used as a basis for subsequent inventions. One of the first was the thaumatrope, developed in the 1820s by John Paris, also an English doctor. The thaumatrope was simply a small disk with a different image drawn on either side. Strings were knotted onto two edges so that the disk could be spun. As the disk twirled around, the two images appeared to blend. For example, a monkey on one side appeared to sit inside the cage on the opposite side. The next major innovation was the phenakistoscope, created by Joseph Plateau, a Belgian physicist and doctor. Plateau's contribution was a flat disk perforated with evenly spaced slots. Figures were drawn around the edges, depicting successive movements. A stick attached to the back allowed the disk to be held at eye level in front of a mirror. The viewer then spun the disk and watched the reflection of the figures pass through the slits, once again giving the illusion of movement.
Cool Animated Wallpapers Biography
Born in New Haven, Connecticut of Russian Jewish heritage, Capp was the eldest child of Otto Philip and Matilda (Davidson) Caplin. Capp's parents were both natives of Latvia whose families had migrated to New Haven in the 1880s. "My mother and father had been brought to this country from Russia when they were infants," wrote Capp in 1978. "Their fathers had found that the great promise of America was true—it was no crime to be a Jew." The Caplins were dirt poor, and Capp later recalled stories of his mother going out in the night to sift through ash barrels for reusable bits of coal.Even though animation was conceived as early as 1824 by Peter Roget, the very first actual methods of animation were made possible by a device called a zoetrope. The zoetrope was a spinning cylinder with open slits that would allow viewing of certain still images in a certain sequence. Someone viewing a zoetrope at a particular angle could see images that appeared to be moving.After Edison and the invention of motion pictures in 1889, film director Emile Cohl combined more than 700 still drawings, which were then each meticulously photographed individually. When Cohl combined all of the shots together, the drawings appeared to be moving on the film, ntasmagorie,” which was released in 1908. Other animated films soon followed like “Gertie the Dinosaur” and “Felix the Cat,” both released around 1920.First, a storyboard is created showing a quick sketch of the general idea and direction of the cartoon or animated feature. Next, the dialog is recorded before the actual animators create the final inked cartoons on pieces of clear celluloid acetate, or cels. After inking, animators paint in the color on the opposite side of the cel and finally combine all the cels to be photographed, using a special film motion picture camera. Cel animation allows animators to repeat certain frames, eliminating the need to draw each individual frame over and over in a sequence of animation. Backgrounds and fixed objects may be included in every background cel while other cels are removed and replaced over and over to simulate movement by animated characters.For example, if there are two characters in a scene and only one character is moving in this scene, an animator would draw character A on a clear piece of film called a cel. Then, using another second cel, the animator will draw character B. As character A is jumping up and down in a sequence of moves, a new cel is created for each movement. These cels are then combined and shot on a special film camera in a logical sequence that makes character A look like he’s jumping up and down, while character B remains unmoving.Animation is a series of still drawings that, when viewed in rapid succession, gives the impression of a moving picture. The word animation derives from the Latin words anima meaning life, and animare meaning to breathe life into. Throughout history, people have employed various techniques to give the impression of moving pictures. Cave drawings depicted animals with their legs overlapping so that they appeared to be running. The properties of animation can be seen in Asian puppet shows, Greek bas-relief, Egyptian funeral paintings, medieval stained glass, and modern comic strips. In 1640, a Jesuit monk named Althanasius Kircher invented a "magic lantern" that projected enlarged drawings on a wall. A fellow Jesuit, Gaspar Schott, developed this idea further by creating a straight strip of pictures, a sort of early filmstrip, that could be pulled across the lantern's lens. Schott further modified the lantern until it became a revolving disk. A century later, in 1736, a Dutch scientist named Pieter Van Musschenbroek created a series of drawings of windmill vanes that, when projected in rapid succession, gave the illusion of the windmill circling around and around. The magic lantern became a popular form of entertainment. Traveling entertainers, visiting the villages and towns of Europe, included it in their shows. In London, the Swiss-born physician and scholar Peter Mark Roget, most famous for compiling the Thesaurus of English Words and Phrases, was fascinated by the scientific phenomenon at play and wrote an essay entitled "Persistence of Vision with Regard to Moving Objects" that was widely read and used as a basis for subsequent inventions. One of the first was the thaumatrope, developed in the 1820s by John Paris, also an English doctor. The thaumatrope was simply a small disk with a different image drawn on either side. Strings were knotted onto two edges so that the disk could be spun. As the disk twirled around, the two images appeared to blend. For example, a monkey on one side appeared to sit inside the cage on the opposite side. The next major innovation was the phenakistoscope, created by Joseph Plateau, a Belgian physicist and doctor. Plateau's contribution was a flat disk perforated with evenly spaced slots. Figures were drawn around the edges, depicting successive movements. A stick attached to the back allowed the disk to be held at eye level in front of a mirror. The viewer then spun the disk and watched the reflection of the figures pass through the slits, once again giving the illusion of movement.
Cool Animated Wallpapers HD Widescreen For Desktop Mobile Iphone windowns7 Mobile Phone girls Ipod
Cool Animated Wallpapers HD Widescreen For Desktop Mobile Iphone windowns7 Mobile Phone girls Ipod
Cool Animated Wallpapers HD Widescreen For Desktop Mobile Iphone windowns7 Mobile Phone girls Ipod
Cool Animated Wallpapers HD Widescreen For Desktop Mobile Iphone windowns7 Mobile Phone girls Ipod
Cool Animated Wallpapers HD Widescreen For Desktop Mobile Iphone windowns7 Mobile Phone girls Ipod
Cool Animated Wallpapers HD Widescreen For Desktop Mobile Iphone windowns7 Mobile Phone girls Ipod
Cool Animated Wallpapers HD Widescreen For Desktop Mobile Iphone windowns7 Mobile Phone girls Ipod
Cool Animated Wallpapers HD Widescreen For Desktop Mobile Iphone windowns7 Mobile Phone girls Ipod
Cool Animated Wallpapers HD Widescreen For Desktop Mobile Iphone windowns7 Mobile Phone girls Ipod
Cool Animated Wallpapers HD Widescreen For Desktop Mobile Iphone windowns7 Mobile Phone girls Ipod
Cool Animated Wallpapers HD Widescreen For Desktop Mobile Iphone windowns7 Mobile Phone girls Ipod
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